Iron Sky (2012)
Review by George Elcombe
“In
1945 The Nazis Went To The Moon. In 2018 They Are Coming Back”
Do you like your movies to be fun?
Seriously, there are many different types of film out there that tailor for
various audiences: the Oscar crowd, the indie lover, the Saturday night movie
goer, the blockbuster addict and people who just want to watch something silly
and entertaining.
So, if your idea of Nazis on the
moon planning to invade the Earth sparks your curiosity then you’re in luck.
In a nutshell this film is a blend
of Starship Troopers (1997) and Dr Strangelove (1964), both excellent examples
of political and military satire.
Plot: as established in an opening
scene set in a classroom, Nazis fled to the dark side of the moon in 1945 where
they somehow built a swastika themed base, several spaceships and the biggest
war machine in the history of human existence.
Fast forward to 2018 where an astronaut
and a model chosen to be the first black man on the moon (called James Washington)
arrive to aid the presidents re-election campaign.
They discover the base and the astronaut
is quickly taken out and Washington
is taken captive. The stereotypical mad Nazi doctor Richter discovers that Washington ’s smartphone
can process and launch their warship, thus enabling the invasion to begin.
Unfortunately the device’s battery dies so Nazi commander Adler and the doctor’s
daughter Renate (who is destined to be the mother of Adler’s children) travel
to earth to collect another device with similar processing power. Oh yeah, they
also take Washington
with them who is now white thanks to the mad doctor.
They meet the president’s campaign
aid who decides to use them (and Hitler’s propaganda speeches) for the campaign
trail, and hilarity ensues. I don’t want to spoil too much, but an invasion
begins, there’s lots of dog fighting and the film gets sillier as it goes along
until the bitter end when we realise how idiotic the human race is in its pursuit
of war and control.
I first heard about this film a
few years ago and I was hooked by the idea of Nazis hiding on the moon, and I’m
pleased to say that this film had enormous support from the online community
through various media channels. The fans and buzz generated an extra £500,000
towards production costs and I have to say that the CGI is impressive for an
independent production. I should add that the design of the moon base and the
grey lighting sets the mood for 1940’s Nazi Germany perfectly.
As I’ve stated before the films
tone is generally silly, but very entertaining. It covers a lot of old Nazi propaganda
and how Hitler’s goal was to unite the world in peace. It’s just that he was a genocidal
maniac and his methods proved to be wrong. But this is juxtaposed by America ’s
dominance in the world today, mostly through force to exploit natural resources
(the George W Bush is a perfect example of this). Although this film did focus
on politics, some may say this needed to be elaborated on to make the film more
realistic. Personally, I don’t. The satire is spot on with the Sarah Palin
look-a-like being pleased with the fact that all presidents who start a war in
their first term get re-elected.
The DVD menu is impressive but
slightly spoilish showing the invasion, but the design mixes modern and retro
and is aesthetically pleasing. The picture and sound quality are great and I
especially enjoyed the 5.1 mix.
Unfortunately there were no
special features on the review disk, but I hope they include the various
trailers, test footage and a documentary chronically the effect that fans and
social media had on the films production.
I have to say it’s a shame this film
will only get a 1 day release in UK cinemas, a decision the
filmmakers re unhappy about. Many friends want to see this on the big screen so
I hope this film makes it into cinemas for random late night screenings.
There are wooden performances,
intentionally bad dialogue and copious amounts of cheesy moments, and in that
respect this film draws its strengths.
This film has been clearly
influenced by Dr Strangelove (1964) and some bits are straight out of Fritz Lang’s
classic Metropolis (1927), but is also full of fun stereotypes. If you are
after a film that doesn’t take itself too seriously and it’s sole purpose is to
entertain then you’re in for a treat.
7 out of 10
If you like this try
Starship Troopers (1997)
Planet Terror (2007)
Dead Snow (2009)
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